Perspectivas Filosófico-Temporales


This article presents an analysis of Tomás Marco’s Dúo concertante no 3 influenced by Henri Bergson and Theodor W. Adorno’s temporal telos that articulates a critical consideration of musical time. It intends to lead, by means of an abstract and fragmentary study of its most relevant elements, to a time-based understanding of the similarly fragmented structure of Marco’s work.