Areas of Specialization
Music and AI
Interface Development
Interdisciplinary Research
20th-Century Music & 20th-Century Spanish Music
Philosophy of Music & Critical Theory
Historical Performance Practice
Music Pedagogy
Theodor W. Adorno
Post-structuralism and Music
Course Samples
Violin Playing in the Twentieth Century
Performance Analysis Tools: an Introduction to Sonic Visualiser
A History of Violin Pedagogy
Music and AI
Violin Music after WWII
Creating Performance Spaces: Interdisciplinary Explorations
The Musical Work Contested
Music and The Nouvelle Vague: 1958-1962
Recent Academic Publications
Alonso, R. T. and Poliks M. “Demiurge: A Music of Babel.” Leonardo Journal (2022).
Alonso, R. T. “Mozart’s Sinfonia Concertante, K. 364: An Enlightened Operatic Reading.” Music Scholarship 3 (2021): 97-111.
Alonso, R. T. Death and (Re)Birth of J. S. Bach: Reconsidering the Musical Work- and Author-Concepts. London: Routledge, 2018.
Alonso, R. T. “Enescu Performs Enescu: Glissandi in the Sonata op. 25 ‘dans le caractère populaire roumain.” IRASM 49, no. 1 (June 2018): 115-135.
Alonso, R. T. “ZAJ and Futurism: from Henri Bergson to Tomás Marco.” Hispanic Research Journal 17, no. 2 (April 2016): 141-151.
Alonso, R. T. “Perspectivas filosófico-temporales sobre el Dúo Concertante Nº 3 de Tomás Marco.” Revista de la Sociedad Española de Musicología 37, no. 2 (2014): 560-585.
Alonso, R. T. “Music and Politics in the Spain of the 1960s: the case of Tomás Marco.” Perspectives of New Music 52, no. 1, (Winter 2014): 106-13.