Areas of Specialization

Music and AI

Interface Development

Interdisciplinary Research

20th-Century Music & 20th-Century Spanish Music

Philosophy of Music & Critical Theory

Historical Performance Practice

Music Pedagogy

Theodor W. Adorno

Post-structuralism and Music

Course Samples

Violin Playing in the Twentieth Century

Performance Analysis Tools: an Introduction to Sonic Visualiser

A History of Violin Pedagogy

Music and AI

Violin Music after WWII

Creating Performance Spaces: Interdisciplinary Explorations

The Musical Work Contested

Music and The Nouvelle Vague: 1958-1962

Recent Academic Publications

Alonso, R. T. and Poliks M. “Demiurge: A Music of Babel.” Leonardo Journal (2022).

Alonso, R. T. “Mozart’s Sinfonia Concertante, K. 364: An Enlightened Operatic Reading.” Music Scholarship 3 (2021): 97-111.

Alonso, R. T. Death and (Re)Birth of J. S. Bach: Reconsidering the Musical Work- and Author-Concepts. London: Routledge, 2018.

Alonso, R. T. “Enescu Performs Enescu: Glissandi in the Sonata op. 25 ‘dans le caractère populaire roumain.” IRASM  49, no. 1 (June 2018): 115-135.

Alonso, R. T. “ZAJ and Futurism: from Henri Bergson to Tomás Marco.” Hispanic Research Journal  17, no. 2 (April 2016): 141-151.

Alonso, R. T. “Perspectivas filosófico-temporales sobre el Dúo Concertante Nº 3 de Tomás Marco.” Revista de la Sociedad Española de Musicología  37, no. 2 (2014): 560-585.

Alonso, R. T. “Music and Politics in the Spain of the 1960s: the case of Tomás Marco.” Perspectives of New Music  52, no. 1, (Winter 2014): 106-13.