Perspectivas filosófico-temporales sobre el Dúo Concertante No. 3 de Tomás Marco

Revista de la SEDEM.

This article presents an analysis of Tomás Marco’s Dúo concertante nº 3 influenced by Henri Bergson and Theodor W. Adorno’s temporal telos that articulates a critical consideration of musical time. It intends to lead, by means of an abstract and fragmentary study of its most relevant elements, to a time-based understanding of the similarly fragmented structure of Marco’s work.

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