Debris Project

[vc_row][vc_column width=”5/12″][vc_hoverbox image=”3522″ primary_title=”DEBRIS PROJECT” primary_title_font_container=”font_size:40|color:%23ffffff” primary_title_use_theme_fonts=”yes” hover_title=”Debris Project” use_custom_fonts_primary_title=”true”][spacer height=”05px”]Debris project is a call for new electronic compositions presented in collaboration with Vertixe Sonora, Phonos Foundation, and DME. Debris is part of the Demiurge project (Marek Poliks + Roberto Alonso). It takes a selection of the sounds generated by its GAN architecture as a point of departure to establish new narrative levels. The following diagram shows the relationship between Debris and Demiurge projects:

 

DEMIURGE

[spacer height=”25px”]

[/vc_hoverbox][/vc_column][vc_column width=”7/12″][vc_hoverbox image=”3526″ primary_title=”CALL FOR WORKS” primary_title_font_container=”font_size:40|color:%23000000″ primary_title_use_theme_fonts=”yes” hover_title=”Call for Works” hover_btn_title=”APPLY” hover_btn_color=”success” hover_btn_align=”center” use_custom_fonts_primary_title=”true” hover_add_button=”true” hover_btn_button_block=”true” hover_btn_link=”url:mailto%3A%20robertoalonso%40mac.com|target:_blank”][spacer height=”05px”]Debris project is a series of commissions of new music for fixed electronic means that exclusively explore, through the application of any sound transformation techniques (DSPs, fluid corpus manipulation/granular synthesis, physical modeling synthesis, etc.),  the materials found in the Demiurge’s Debris database. The project’s interdisciplinary committee [Marek Poliks (Berklee) / Roberto Alonso (HKBU) / Pablo Coello (Vertixe) / Ramón Souto (Vertixe) / Ángel Faraldo (Phonos) / Jaime Reís (DME)] will select a maximum of 6 of those works to be used as part of Demiurge’s project and for their commercial publication as a CD recording. The works will be presented in Hong Kong, Vigo, Barcelona, and Lisbon. [spacer height=”05px”]

  • The works should have a maximum duration of 12 minutes
  • Audio files should be provided in both:
    • Audio file in .aiff  format (16/24bit at 44.1/48kHz sampling rate) containing the stereo or binaural version of the piece.
    • An interleaved multichannel surround version (up to 8 channels) of the audio files including each of the channels inside a separate folder along with set-up/routing information on a separate sheet. .
  • To access the Debris database please click on the image below:

[/vc_hoverbox][/vc_column][/vc_row]